San Francisco · 2026
What I propose
I model the space and produce client-facing views that let people see the scheme before it exists — materials, light and furniture in place. SketchUp, Rhino, V-Ray, D5. Presentation boards and layouts included, not treated as an afterthought.
Built-ins, headboards, banquettes, casegoods, vanities. I design the piece, model it, render it for client approval, and detail it for the shop — dimensions, joinery, materials, finishes. Trained in descriptive geometry and digital fabrication, so the drawing holds up on the shop floor.
I specify directly with millworkers, upholsterers, metal shops and installers in Spanish or English, with the technical drawing in hand. The person who designed the piece is the person explaining it to the shop.
Selected work
Role: 3D modeling, visualization, material selection, custom furniture design and detailing. Project by interno.co.
A living room built around a record collection. Rather than treating the music as storage, the collection becomes the room's main wall — a curated grid that sets the graphic key for everything else.
The hand that weaves. The machine that cuts. The form that remembers. Craft, fabrication and memory in the same room — and a room becomes interesting when the three refuse to match.
Where the value is
In high-end residential, the custom work carries the project: the built-in, the headboard, the vanity, the joinery nobody else can buy. It is also where money and time disappear. A piece is designed in one language and built in another, and the gap between the two is filled informally — a profile misread, a grain run the wrong way, a tolerance nobody confirmed. It surfaces on installation day.
I close that gap. I design the piece, draw it properly, and speak with the shop in the language the shop actually works in. In the Bay Area, most of the millwork, upholstery, stone and finish trades run on Spanish. That is not a cultural note; it is where the schedule lives.
The person who drew the piece is the person standing in the shop explaining it.
My background is spatial: interiors, exhibition design and scenography, with a master's in design and formal training in morphology and digital fabrication. Years with interno.co in Medellín and Mobilia in Perth, Australia, were spent on restaurants, cafés and bars — demanding clients, tight budgets, and opening dates that do not move.
Shop glossary — tap a term to switch language
Interior & Spatial Design
Interior design and visualization at interno.co, Medellín. Exhibition and scenographic design in Colombia, Argentina and Australia. 15+ years across spatial, brand and product design.